Plenty of sampling, including from 1993 to '95 plenty of operatic voices. Harmonizer, 3x Hohner HS-1/E, 2x Klark EQ, Arsonic-Sigma 5.2, EMS Synthi S 612, Korg DVP 1, Roland SRV 2000, Korg SDD 1200, Ibanez SDR 1000, Eventide Midi with master keyboard, expander parts (Roland, Korg, Akai),Ĭomputer, Publison Infernal machine, 24-track recording & digitalĪtari 1040 ST, Atari Mega ST 4, Roland: Super JX 10, S 50, D 50, MKSĨ0, MKS 30, U 110, MPG 80 Akai X 7000, Fairlight, Yamaha TX 81 Z, Akai Oberheim DMX, custom made EEH rhythm-computer, EMT plate synthesizer computer, PPG, Publison,Ĭomputer (G.D.S., PPG, Fairlight), much better effect devices,
#NEC PERCUSSION STUDIO PLUS#
Polymoog, Yamaha CS 80, Korg PS 3300, Korg as well as Sennheiser vocoders,ĪKG BX 20 reverb, Dynacord DRS 78 reverb and echo, TAM 19 flangerĪs above, plus G.D.S.
Mellotron, two Farfisa Syntorchestras, AKG BX 15 reverb, early PPGĪs above, plus larger mixer and various other keyboards: Minimoogs,
#NEC PERCUSSION STUDIO PORTABLE#
Telefunken Echo Mixer, Revox, broken Fender guitarįarfisa Duo organ, drums, EMS VCS 3, cheap effects, tapeĮcho, second Revox, two little Farfisa mixers.įarfisa Duo organ, EMS Synthi A, ARP Odyssey,ĪRP 2600, Farfisa Syntorchester, tape echo, Revox,Īs above, plus Crumar Brass-Man, Crumar Multi-Man,Ĭrumar Compact-string synthesizers, Syntanorma sequencer,Īs above, plus Moog Synthesizer IIIp & Sequencer Complement B portable Tapes, tape echo, 4-track Telefunken home recorder, cheap 3-channel Tape echo: Dynacord Echocord Mini (with A.R.T.) Guitar, electric guitar, electric bass and drumsetĭrums, and at times strange organ sounds (with TD)ĭrums, odd electric guitar ( Höfner Solid Body '164'), KS' tools over the course of time Sixties Rebuilding his studio completely, partly with new equipment General there are the following basic periods:Īcoustic and Electric (Experimental and searchin' time)Īnalogue Synthesizers (The Golden Age of Klaus' Electronic Music)Įven more Sampling (A new High Time for Klaus Schulze) Klaus Schulze explains the new Big Wall he has been using on stage since 1996ĭrawing the line between the various instruments used in course of timeĬan only be done approximately. Klaus Schulze's studio inventory in April 2003:
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